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制作假山之前应该考虑周全的问题!

  国内在制作假山前应考虑到,假山在所有的设计风格、色彩、色彩、质地、多样性上都必须一致。但是,这座山的形状、大小和高度一定有变化。山有高有低,好的和坏的都混在一起;山腰的线条应该是平滑的,并且应该有一个从顶部到底部的过渡。坡的一侧陡峭,另一侧平缓,使山的形状设计可以产生一个几何形状。山脚下要有背托,粗糙,线框要流畅大方,要突出假山水的柔软是要考虑的问题。
  Before making rockery in China, we should consider that rockery must be consistent in all design styles, colors, colors, textures and diversities. However, the shape, size and height of the mountain must have changed. The mountain has high and low, good and bad are mixed together; the line of the hillside should be smooth, and there should be a transition from the top to the bottom. One side of the slope is steep and the other side is gentle, so the shape design of the mountain can produce a geometric shape. At the foot of the mountain, there should be back support, rough, smooth and generous wire frame, and the softness of the fake landscape should be highlighted.
  假山所做的适当的密度密度是指岩石的分布不能相等。在合理布局的园林假山造型设计中,山石碎裂图案、奇峰遗址、绿植装饰、奇趣件等,都要保证密度。一般来说,假山假山的山顶面积更为密集,石的布局更为密集,花草树木都种植得密密麻松;然而,相对论在匹配峰的部分是罕见的。
  The proper density of rockery means that the distribution of rocks cannot be equal. In the design of the reasonable layout of the rockery, the density of the broken rock pattern, Qifeng site, green plant decoration and interesting parts should be guaranteed. Generally speaking, rockery has the most dense peak area, the most dense stone layout, and the flowers, plants and trees are planted densely; however, relativity is rare in the part of matching peak.
  在园林假山造型设计中注意开合造型艺术,开合是趋势,合合是结局。垂直山顶是开的,坡脚是关的;近处的山是开放的,近处的山是封闭的。一般园林假山的合理布局是由3至4个开闭组合而成,开闭替换,能使假山体现出节奏感。
  Pay attention to the opening and closing plastic arts in the landscape rockery design, opening and closing is the trend and closing is the end. The vertical peak is open and the foot of the slope is closed; the nearby mountain is open and the nearby mountain is closed. The reasonable layout of general garden rockery is composed of 3 to 4 opening and closing combinations. Opening and closing replacement can make rockery reflect rhythm.
  虚拟现实诞生于假山造型艺术中,虚拟与真实既是指假山造型艺术的艺术境界,又是指假山造型艺术的加工技巧。简而言之,艺术境界是指假山假山的长期诗意表达(称为虚拟景观)和假山产生的真实景观(称为多媒体互动)。虚而实的表现手法意味着园林假山要表现出虚而真。
  Virtual reality was born in the rockery plastic arts. Virtual and real not only refer to the artistic realm of rockery plastic arts, but also refer to the processing skills of rockery plastic arts. In short, artistic realm refers to the long-term poetic expression of rockery (called virtual landscape) and the real landscape produced by rockery (called multimedia interaction). The technique of virtual and real expression means that garden rockery should show virtual and real.
济南假山制作
  露有隐指园林假山能在场景外展示场景,在场景中营造迷人的界面,创造出长久的诗意。
  Exposed hidden refers to the landscape rockery can display the scene outside the scene, create a charming interface in the scene, and create a long-term poetic.
  毛坯加工毛坯在假山中常占据室内空间的大小,整体布局的合理对实际效果起着关键作用。如果你想要表现山、湖、岛景等主题,白色空间要大,山角要简单;但当表达重山脉、大峡谷艰险等主题时,空白宜小一些,山角处理也宜繁杂,变化多终。
  Blank processing in the rockery often occupies the size of the indoor space, the reasonable overall layout plays a key role in the actual effect. If you want to express the theme of mountains, lakes, island landscapes, etc., the white space should be large and the mountain corner should be simple; but when you express the theme of mountains and Grand Canyon, the blank should be smaller, and the mountain corner processing should be complex and endlessly changing.
  透视处理对象块给人的感觉一直是平行透视,近纪录低点,近宽远窄,近清远行情看好,这种情况称为透视。按照透视法,假山景观的近景和主景应清晰实用;中景主要展示了岩石的结构。发展前景主要表现为地形和山地类型。
  Perspective processing object block gives people the feeling of parallel perspective, near record low point, near wide far narrow, near Qingyuan market is optimistic, this situation is called perspective. According to the perspective method, the near view and main view of rockery should be clear and practical; the middle view mainly shows the structure of rock. The development prospects are mainly terrain and mountain type.
  小到能看到大到花园里的假山,依然能以蜗牛的精神展现山的雄伟;用小树苗来展示山的雄伟;以小房子、小亭子来反映山水的雄伟精神。
  As small as you can see rockeries as big as gardens, you can still show the magnificence of mountains with the spirit of snails; show the magnificence of mountains with small saplings; reflect the magnificence of mountains and rivers with small houses and pavilions.
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